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- <text id=92TT1960>
- <title>
- Aug. 31, 1992: Reviews:Short Takes
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1992
- Aug. 31, 1992 Woody Allen: Cries and Whispers
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 71
- SHORT TAKES
- </hdr><body>
- <p>CABARET: Berlin's Salute To America
- </p>
- <p> As Americans again fret whether the U.S. can survive
- changes brought by immigration, it is heartening to revisit the
- songs of Irving Berlin, a Russian Jewish immigrant whose words
- and music, from God Bless America to White Christmas to There's
- No Business Like Show Business, prove how readily and deeply he
- resonated with the spirit of his new nation. His work is
- gloriously celebrated in Say It With Music at New York City's
- ritziest nightclub, Rainbow & Stars, on the 65th story of NBC's
- building in Rockefeller Center. A cast of seven led by Kaye
- Ballard performs 47 songs in just 60 minutes, yet gets the
- flavor of each. A highlight: Manhattan Madness, a 1932 musing
- on urban glitter and horror that could have been written last
- week.
- </p>
- <p>CLASSICAL MUSIC: Love at the Opera
- </p>
- <p> She dresses in Madonna-style bras, strips on stage and
- sings about justifying her love, but this songbird's debut album
- will never make MTV. Lesley Garrett, the English National
- Opera's untraditional lead soprano, presents a sumptuous
- assortment of operatic arias on Diva! A Soprano At The Movies.
- Her finely colored voice with its firm vibrato is not elitist,
- and she sings this collection of songs that have made their way
- into films with a passion and abandon that would make Madonna
- envious. Garrett's plaintive Voi che sapete, from The Marriage
- of Figaro, and her flirtatious plotting in Quando m'en vo, from
- La Boheme, are the answer for those looking for substance in
- their tunes.
- </p>
- <p>POP MUSIC: Twist and Shout
- </p>
- <p> In the early '60s, between Elvis and the Beatles, two
- corporate names ruled rock 'n' roll: Spector and Scepter. Phil
- Spector's over-the-Top-40 sound has often been memorialized; now
- The Scepter Records Story is related in a 65-song set on three
- CDs. Owned by Florence Greenberg, a New Jersey mom, the diskery
- made its rep with girl groups (the Shirelles) and treble rousers
- (the Isley Brothers, the Kingsmen). It then officiated at the
- marriage of gospel and pop, with Dionne Warwick selling peerless
- Burt Bacharach ballads. The set includes many savory hits and
- some obscure gems: Bacharach's prime plaint I Just Don't Know
- What to Do with Myself and a King Curtis tune called Potatoe
- Chips (Dan Quayle take note).
- </p>
- <p>CINEMA: Big Town, Big Think
- </p>
- <p> Making his rounds on New York City's night streets, a drug
- dealer named John LeTour (Willem Dafoe) feels doom gathering
- around him. The cops are taking an interest in him, one of his
- best clients is self-destructing, his boss (Susan Sarandon) is
- threatening to leave the trade, and an ex-lover (Dana Delany)
- will have nothing to do with him. In Light Sleeper, bad things
- happen to not-so-good people. Writer-director Paul Schrader
- (American Gigolo, Patty Hearst) likes to work the margins of
- American life, and he does so with a certain style. Also with
- literary pretentiousness and moral portentousness. But the point
- here is obscure. One keeps hoping he will relax into genre
- filmmaking, where a crime is just a crime, not an occasion for
- woozy philosophizing.
- </p>
- <p>BOOKS: Iris in Wonderland
- </p>
- <p> Siri Hustvedt is an impressive new talent. The Blindfold
- (Poseidon; $20), her series of tales about an alienated young
- woman in New York, draws the reader compellingly into the odd
- consciousness of the narrator and heroine, Iris. Hustvedt's
- characters are hypnotized by their own dangerous, barely
- understood impulses. A writer hires Iris to describe the
- possessions of a girl he thinks he may have murdered. In a later
- story, Iris dons men's clothing and spends months prowling
- downtown Manhattan at night, as though drawn onward by the Imp
- of the Perverse. Relationships, like everything else in
- Hustvedt's world, are lively, unpredictable, full of mysterious
- emotion: the dark side of everyday life.
- </p>
-
- </body></article>
- </text>
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